3.13 Conjuring revelations

For two weeks in August twentysome years ago I thought I was dying. Here’s how that mistake happened. I went to my doctor to show him a scattering of salmoncolored patches on my back thinking it was some dumb rash. He grabbed his biopsy kit, took two bites, gave me the number of a specialist and had nothing else to say, so goodbye.

Five days later, I went to see Dr. Z. at the university center up on the hill. He told me I had a rare skin cancer, snipped three more samples, and scheduled me to return in two weeks. I was too shaken to ask questions.

Back out on the street in the sunshine, I told myself, “A good patient reads up on his illness.” Just up the block was a worldclass medical bookstore, and next to it a worldclass medical library, so off I went. In the store, I cracked open a hefty clinical book. A newcar smell came out at me. I checked the index and started reading about my cancer. Messedup CD8 cells infuse into the epidermis, thus the patches. Not too scary.

But if those cells go back inside and get into your bloodstream they turn into lymphoma. Okay, so this stuff’s dangerous. Then when I got down to the end, the last sentence said, “invariably fatal.” I rushed to the library hoping for rescue, telling myself to only look at current books from the last two years. I grabbed them off the shelf one after the other and spedread down to where each of them concluded with a grim prognosis.

It was a slow death, five to fifteen years, so that was something, but what a death. Ugly red lesions would break out on my face. There were pictures, lots of pictures. That’s when I felt sick. I was such a private person, if I was going to have to die, why couldn’t I do it modestly with an invisible inside cancer instead of this brazen thing that would make a scene?

I drove home crying, called my friend Kate crying, called my sister and my parents crying. I was scared, but maybe angry even more than scared. I had stopped doing my maniacal activism. I had decided I was going to have a personal life and be happy. I had decided it was my turn. But the cancer said…

“You don’t get a turn.”

It was a hard two weeks. Everything was so intense. The blue of the sky had never been so blue. The days passed in slow motion. I got lost inside each moment, yet each one flashed by at lightning speed.

When I went back to Dr. Z. and told him how scared I was, he said, “No, no, no. I’ve never lost a patient I caught in the first stage and you’re right at the beginning of the first stage. I promise you, you will die of something else.”

I still don’t understand how those books could have been so wrong, but I was going to be okay and that’s what mattered. I had to do chemo, but not the classic kind. They gave me an ointment to take home with me. Twice a day I had to rub it into the patches. First, though, I had to put on latex gloves. Don’t touch it, but rub it on your body. Weird. But blessedly there wasn’t a single side effect. No nausea. No throwing up.

Still, it took three years to get to remission, so…

I had plenty of time to meditate on mortality.

I asked a sweet couple I knew, one an oncology nurse and the other a hospice counselor, “Is it mostly like in the movies where people get a diagnosis and rise to the occasion?”

“Oh, no,” they said in chorus…

“Most people regress.”

Well, that was me. I had tumbled down into despair and despite my good news, I hadn’t climbed back out. I knew I was handling my illness wrong. I was calling my medicine poison, which it was, but that was not a good attitude to have about something I was counting on to heal me.

Then I read Love, Medicine and Miracles, by Bernie Siegel. He tells stories of exceptional patients, not that they all beat their cancer in the end, but they refused to surrender. They took charge of everything it was in their power to take charge of. And…

I caught their fighting spirit.

I called a number in the back of the book and tracked down Susan, an oncology nurse who did imagery work to promote healing. As soon as I sat down in her office, I told her, “I’m here to get my image and then I’ll go.”

She had the kindness not to laugh at my naïveté. She smiled gently and said, “It doesn’t quite work like that. You’re the one who will find your imagery. It will work for you because it comes from inside. It might take more than one visit.”

Twenty minutes into the first session images came…

Tears behind my eyes, me throwing cancer out the upstairs window of my childhood home, my hands knowing how to rip open cancer cells, spilling their evil harmlessly on the earth which matter-of-factly recycled it into loam. That kind of thing.

And they came to me. I didn’t have to struggle for them. It was like being on vacation. So different from the last couple decades of exhausting myself scrambling hard in the service of good causes.

By the end of the fourth session, I saw what I was really working on. Not cancer, but my life. I needed to do something with my underlying despair about myself.

Susan said I might want to paint pictures of my healing images, to help me experience them more deeply and to hold on to them. And so I did, starting with the image of my hands from the first session…

First I painted my hands ripping open the cancer cells, green for recycling. But then without thinking, I added in a new image, my hands ripping open despair cells, red for the pain the despair was suppressing. (Over the years the red faded to orange, but I remember the red as I painted it.)

Then in subsequent sessions and at home more images came.

I had lived my life under a barrage of exhortations from my inner Calvinist critic. And having grown up on sermons, I was good at preaching on myself, punishing myself with a relentless hammering of shoulds.

But these images were the opposite of exhortations and the antidote to shoulds. They were abundant with healing. I didn’t have to work at them. All I had to do was receive them. So I call them…

Gifts of grace.

And sometimes they were profound…

Watercolor painting which was part of my cancer treatment.

This is “Pyroalchemy.” It caught me by surprise. I painted it fast as if I was channeling it, and only reflected on it later…

The figure in the black robe is my childhood minister fanning the flames of God’s judgment against me that I was unlovable. And the Reverend is laughing.

That scorching damnation, so scary and so painful, was a foreshadowing of the consuming conflagration I’d be consigned to after death if I didn’t bow to God every day of my life.

And in my desperation I was alone, no one to comfort me or care for me, because I didn’t deserve care, because, and everything always came back to this, God had deemed me unlovable.

A picture of defeat.

But wait. I’m stepping through the fire, and out. I’m turning that scorching fiendishness into pure healing light.

A story of transformation.

The fight buried in me during childhood, reveals itself in this picture and foreshadows the fight to upgrade love which was to become my life’s mission.

This is a story of triumph. I turned a bitter childhood, through a long, hard journey, into a blessed old age. And this is my triumph. It’s mine, because I did that. I made it happen.

And this image, by itself, this one image…

Transcended all those hundreds of Sundays I spent in church learning to hate myself.

A short time later, I painted this…

Watercolor painting that I made during my cancer treatment.

The figure is me infused with healing light. The light seems to be coming up from deep in the earth, but I know that it’s really coming up from deep within my own psyche. It feels natural. Primal. Unforced. And it’s irrevocable. No one can take it from me.

I call this painting “Radiance.”

When I showed it to Susan, she caught her breath then said, “I’m so happy for you. This is such a good sign.”

But I struggled with it. It seemed like the kind of vision a New-Age guy would have and I was not a New-Age kind of guy, not at all.

I think I kept this at arm’s length because I was so used to making efforts that ended up being futile that it was hard for me to embrace actual progress.

Mostly though, I think I understood that I was not at home in radiance yet. Through this image my psyche was saying to me…

We’ve got more years to go, Kiddo, but this is where we’re headed. And we’re going to get there. There’s no stopping us now. No turning back. It doesn’t matter how long it takes, you want this so badly it’s going to happen.

I had “Radiance” framed and hanging on the wall of my bedroom for twenty years right next to “Pyroalchemy” before I realized that the me infused with light was the direct sequel to the me escaping the flames in “Pyroalchemy.” In fact, I only realized it in writing about these two images just now. Interesting how my psyche can be so alive with healing surprises and yet sometimes can be so dense about the obvious.

I’ve often said to myself that I write ahead of where I’m at and then catch up with my writing, even if it sometimes takes years of personal work to do that. The same is true of this image. Though I’ve finally embraced it, I have days when I lose touch with it. But that doesn’t matter, because I’m in a deep relationship with it. And I know that tomorrow or the next day I’ll claim it again, or it’ll claim me, and we’ll be back in sync.

Next is “Splash Boots.”

Watercolor painting which was part of my cancer treatment.

In the first panel, I’m rowing my boat upstream against the current. I’m being a good boy. Working hard. Serving others. Making my good deeds as big as I can, but keeping myself small. That’s my history.

In the second panel, I’ve broken out. I’m a giant now compared to that first tiny figure. And I’m wearing largesize boots and splashing through the water, making big gushes, being visible just as me, not doing a single good deed, not desperate for approval, simply taking delight in myself.

I have so many noble things to say about the upgrade journey, but when I’m splashing around, being bold, making a scene, I don’t care about any of that stuff. I just care that this journey is so much fun, the most fun I’ve ever had.

I once was such a shy kid, and now this!

Here’s the final image for now. I call it “Baptism.”

Watercolor painting that was part of my cancer treatment.

Remember how Moses pointed ahead and said to the Israelites, “Go down there to the Promised Land, the land of milk and honey. I have brought you this far, but I will not be able to go down there with you.”

In the first panel, there’s me doing my Moses act.

In my early years as an activist, I practiced what I now call SacrificialSavior activism. I didn’t understand it then, the why of it, the downside of it, but I believed that activists needed to sacrifice themselves to save others yet in the end we would not ourselves be saved.

Where’d I get that idea from? I grew up on Jesus who was not just our Savior but he sacrificed himself on the Cross to absolve us of our sins and save us from ourselves.

I have to say, playing Moses is a lonely way to live. And following in the footsteps of the sacrificial Jesus is a good way to hurt yourself really bad.

The second panel couldn’t be more different. Now I’m in the water, and it’s the Healing Pool. I’m immersed in it, so I’m okay. I don’t need any Promised Land, because I’ve got this and it’s so much better.

Instead of sending people off elsewhere, I’m inviting them in here to join me. I’m saying to them…

“I don’t have exhortations for you, or advice, or even how-tos. Let me touch your forehead gently, sweetly, lightly, with the water of this baptism pool to welcome the healing powers you have in your own psyche and your own heart.”

Baptism doesn’t empty me out like service work did. In fact, the more I give, the more there is for me to give.

It’s now clear to me that I can’t save anybody. Not anybody at all. And I don’t want to save anybody, or even make that attempt.

If I were to try to do someone else’s work for them, I would be stealing from them. The upgrade journey is one you have to take for yourself. No one can take it for you. And thank goodness for that.

I think of this Asking book as a touch of baptism. I’m telling my story then letting it go. Instead of trying to control how you respond to it, I’m putting it out into the world and you, or anyone who finds it useful, can take inspiration from it as you wish.

I gave my first draft of this section the title, “Inviting nurturance.” But that was too passive and nice. I wanted something more proactive and the word that came to me was…

Conjure.

A word I really like. Immediately wanted to use it, but I got into an argument with myself, because “conjure” has a dark aura, just like “sorcery” is the dark version of magic.

But “sorcery,” I like that, too. Why? Because my healing images and guides are radical and subversive and, from the point of view of my childhood church, blasphemous. Those people from back then would have considered the healing powers of my psyche to be a devilment.

And I’ve become a rebel. I’ve left that twothousandyearold book with the suffocating commandments behind. And forever.

And I’m rebelling not only against that old church, but against tribal fundamentalism in all its incarnations. And against the human operating system which is the source of our most serious troubles.

Add that up, and you can see why I like the transgressive edge and bite “conjure.” And the dark sense of mischief that comes with it.

I wish that when I was growing up my parents had sent me to play therapy every Sunday morning instead of taking me to church where I got shut down.

Even more, I wish we had gone as a family, and had conjured images and made drawings and surprised ourselves. And maybe each of us could have blossomed into a person of our own making.

Then together we could have become a family of our own, instead of being God’s docile followers, meekly servile, the five of us packed in a house together, living right on top of each other, but lonely for real connection, and missing the heart of what we secretly wanted our family to be.

3.14  Conjuring imaginary friends